College of Human Sciences | |
---|---|
School of Arts | |
Department: Communication Science | |
Professor | |
Tel: | 012 429 6323 |
Fax: | 012 429 3346 |
E-mail: | karambs@unisa.ac.za |
Mutsvairo, B & Karam, B (eds). 2018. Perspectives of political communication in Africa. London: Palgrave.
Karam, B. 2019. The digital divide and film, in Mapping key perspectives on digital divide in Africa, edited by M Ragnedda and B Mutsvairo. Amsterdam: AUP.
Karam, B. 2018a. Theorising political communication, in Prospects of political communication, edited by B Mutsvairo and B Karam. London: Palgrave.
Karam, B. 2018b. “An-other”-centred film curricula: Decolonising film studies in Africa, in The Palgrave Handbook of Media and Communication Research in Africa. London: Palgrave..
Karam, B. 2013. Film styles, in Visual culture in South Africa, edited by J Reid. Cape Town: Pearson.
Karam, B. 2007. Gender and the media, in Media studies, volume 2: media policy, management and media and representation, edited by PJ Fourie. Cape Town: Juta.
Karam, B. 2001a. Censorship, in Media studies, volume 1: institutions, theories and issues, edited by PJ Fourie. Cape Town: Juta.
Karam, B. 2001b. Film production, in Media studies, volume 1: institutions, theories and issues, edited by PJ Fourie. Cape Town: Juta.
Karam, B. 2001c. Educational media, in Media studies, volume 1: institutions, theories and issues, edited by PJ Fourie. Cape Town: Juta.
Fourie, PJ & Karam, B. 2001. Representation: race, gender and sexual orientation, in Media studies, volume 2: content, audiences and production, edited by PJ Fourie. Cape Town: Juta.
Karam, B & Parry, L. 2001. Feminism, in Media studies, volume 2: content, audiences and production, edited by PJ Fourie. Cape Town: Juta.
Karam, B. 2018. Postfeminism and the South African Context through the Prism of a Blood-soaked Imagination. Communicatio.
Karam, B. 2016. William Kentridge’s Monument (1990) as counter-monument and the embodiment of negative aesthetics. Image & Text 27(2):75-101.
Karam, B. 2014. William Kentridge’s animated ‘Drawings for Projection’ as a postmemorial aesthetic. De arte, 90(2):4-23.
Karam, B. 2013a. Subverting the Gaze: The voyeuristic, fetishised spectacle of Karl Lagerfeld’s Pirelli Calendar (2011). Image & Text 21:30-53.
Karam, B. 2013b. Book review: “Gendered Lives: Communication, Gender, and Culture” (Julia Wood). Gender Questions 1(1).
Karam, B. 1997. The South African Film industry: The Arts and Culture Task Group and the White Paper on film. L’Crans Afrique. (English and French editions).
Karam, B, Botha, M, & Tomaselli, K. 1996. White Paper on Film. Pretoria: Ministry of Arts, Culture, Science and Technology.
Karam, B & Kirby-Hirst, M. 2012. “Reality worlds” Collide: Film and Videogames as Pedagogical Tools for the Classics. Akroterion.
Karam, B, Singh, A & Rantho, T. 1995. ACTAG final report: restructuring the South African film industry. Pretoria: Ministry of Arts, Culture, Science and Technology.